{"id":18212,"date":"2024-07-26T00:00:00","date_gmt":"2024-07-25T16:00:00","guid":{"rendered":"https:\/\/arthistorystrolls.com\/?p=18212"},"modified":"2024-10-08T12:31:01","modified_gmt":"2024-10-08T04:31:01","slug":"%e5%a1%94%e7%be%85%e4%b8%ad%e7%9a%84%e5%9c%96%e5%83%8f%e5%ad%b8","status":"publish","type":"post","link":"https:\/\/arthistorystrolls.com\/?p=18212","title":{"rendered":"\u5854\u7f85\u4e2d\u7684\u5716\u50cf\u5b78"},"content":{"rendered":"\n

\u6587 \/ \u5289\u8afa\u6a3a<\/p>\n\n\n\n

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\"\"<\/a>
\u3010\u57161\u3011\u6ce2\u5c3c\u6cd5\u5947\u6b50\uff0e\u73ed\u6ce2\uff08Bonifacio Bembo\uff09\uff0c\u300a\u7dad\u65af\u5eb7\u8482\uff0d\u65af\u5f17\u672d\u724c\u7d44\u300b\u4e2d\u7684\u300a\u6700\u5f8c\u5be9\u5224\u300b\uff08The Last Judgement<\/em> from Visconti-Sforza Tarot Cards <\/em>(MS M0630.14)\uff09\uff0c\u7d041480-1500\u5e74\uff0c\u91d1\u5e95\u7d19\u5f69\u7e6a\uff0c17.3×8.7cm\uff0c\u6469\u6839\u5716\u66f8\u9928\u85cf\u3002<\/figcaption><\/figure>\n\n\n\n

\u5854\u7f85\u7684\u6b77\u53f2<\/mark><\/strong><\/p>\n\n\n\n

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\u6b7b\u795e<\/mark><\/strong><\/p>\n\n\n\n

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\"\"<\/figure>\n\n\n\n

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\"\"<\/a>
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\"\"
\u3010\u57164\u3011\u8def\u5fb7\u7dad\u5e0c\uff0e\u54c8\u8cc0\uff08Ludwig Haach\uff09\uff0c\u300a\u5fb7\u52d2\u65af\u767b\u5893\u5730\u7684\u6b7b\u4ea1\u4e4b\u821e\u300b\uff08Der Todtentanz auf dem Friedhofe zu Neustadt-Dresden<\/em>\uff09\uff0c1825-1842\u5e74\uff0c\u77f3\u7248\u7248\u756b\uff0c\u5927\u82f1\u535a\u7269\u9928\u85cf\u00a9 The Trustees of the British Museum.<\/figcaption><\/figure>\n\n\n\n

\u5be9\u5224<\/mark><\/strong><\/p>\n\n\n\n

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\"\"
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\u724c\u9762\u4e2d\u7684\u662f\u5927\u5929\u4f7f\u7c73\u8fe6\u52d2\uff08St. Michael Archangel\uff09\uff0c\u5728\u8af8\u591a\u665a\u671f\u4e2d\u4e16\u7d00\u7684\u4f5c\u54c1\u4e2d\uff0c\u7942\u8ca0\u8cac\u91cf\u6e2c\u9748\u9b42\u7684\u91cd\u91cf\uff0c\u4e26\u9a45\u8d95\u60e1\u4eba\u81f3\u5730\u7344\u7684\u706b\u5751\u4e2d\u3002\u3010\u57166\u3011<\/p>\n\n\n\n

\"\"<\/a>
\u3010\u57166\u3011\u6f22\u65af\uff0e\u6885\u59c6\u6797\uff08Hans Memling\uff09\uff0c\u300a\u6700\u5f8c\u5be9\u5224\u300b\uff08\u53c8\u7a31\u300a\u5854\u5c3c\u4e09\u647a\u756b\u300b\uff09\uff08The Last Judgement<\/em> (Tani Triptych<\/em>)\uff09\uff0c1467-71\u5e74\uff0c\u6728\u677f\u6cb9\u756b\uff0c\u683c\u4f46\u65af\u514b\u570b\u5bb6\u535a\u7269\u9928\u85cf\u3002<\/figcaption><\/figure>\n\n\n\n

\u4e16\u754c<\/mark><\/strong><\/p>\n\n\n\n

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\"\"<\/a>
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\"\"<\/a>
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\u6bd4\u8f03\u6709\u8da3\u7684\u662f\u4e2d\u592e\u7684\u4eba\u9ad4\uff0c\u9019\u500b\u5716\u50cf\u5f88\u6709\u53ef\u80fd\u662f\u4ee5\u524d\u73fe\u4ee3\u91ab\u7642\u5360\u661f\u5b78\uff08medical astrology\uff09\u7684\u8ad6\u8ff0\u4e2d\u5929\u8c61\u4eba\uff08zodiac man\uff09\u70ba\u539f\u578b\u3010\u57169\u3011\uff0c\u6709\u610f\u601d\u7684\u662f\u53e4\u6642\u7684\u57fa\u7763\u6559\u4f5c\u8005\u4e5f\u5c07\u4eba\u9ad4\u7a31\u70ba\u5c0f\u4e16\u754c (mundus brevis<\/em>)\u3002[3]<\/a><\/p>\n\n\n\n

\"\"<\/a>
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\u5973\u796d\u53f8<\/mark><\/strong><\/p>\n\n\n\n

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\"\"<\/a>
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\u5973\u796d\u53f8\u8173\u4e0b\u7684\u6708\u4eae\u4ee5\u53ca\u982d\u51a0\u662f\u53e6\u4e00\u500b\u6709\u8da3\u7684\u5f15\u7528\uff0c\u5049\u7279\u724c\u5973\u796d\u53f8\u982d\u51a0\u7684\u6a23\u5f0f\u5728\u904e\u53bb\u7684\u5854\u7f85\u724c\u4e0d\u66fe\u51fa\u73fe\uff0c\u800c\u975e\u5e38\u76f8\u4f3c\u65bc\u53e4\u57c3\u53ca\u96d5\u5851\u4e2d\u6642\u5e38\u51fa\u73fe\u7684\u65e5\u51a0\u3010\u571611\u3011\uff0c\u5716\u50cf\u4e0a\u65e5\u6708\u7684\u5f15\u7528\u53ef\u80fd\u6307\u6d89\u4e86\u555f\u793a\u9304\u4e2d\u7684\u5973\u5b50\uff1a\u5929\u4e0a\u73fe\u51fa\u5927\u7570\u8c61\u4f86\uff1a\u6709\u4e00\u500b\u5a66\u4eba\u8eab\u62ab\u65e5\u982d\uff0c\u8173\u8e0f\u6708\u4eae\uff0c\u982d\u6234\u5341\u4e8c\u661f\u7684\u51a0\u5195\u3002(\u555f\u793a\u930412:1)<\/p>\n\n\n\n

\"\"<\/a>
\u3010\u571611\u3011\u300a\u4f0a\u5e0c\u65af\u54fa\u4e73\u50cf\u300b\uff08Figuirine d\u2019Isis allatant<\/em>\uff09\uff0c\u897f\u5143\u524d664-332\uff0c\u9285\uff0c\u6cd5\u570b\u7f85\u6d6e\u5bae\u85cf\u3002<\/figcaption><\/figure>\n\n\n\n

\u672c\u6587\u4e26\u672a\u89f8\u53ca\u5049\u7279\u53ca\u795e\u79d8\u5b78\u8005\u5982\u4f55\u89e3\u8b80\u5854\u7f85\u724c\u7684\u610f\u8c61\uff0c\u800c\u662f\u7d14\u7cb9\u4ee5\u5716\u50cf\u5b78\u7684\u65b9\u5f0f\u5206\u6790\u724c\u9762\uff0c\u672c\u6587\u4ea6\u7121\u610f\u5716\u8981\u8b49\u660e\u4f55\u8b02\u300c\u6b63\u78ba\u5730\u300d\u89e3\u8b80\u5854\u7f85\u724c\uff0c\u56e0\u70ba\u7e3d\u7684\u4f86\u8aaa\uff0c\u5854\u7f85\u724c\u662f\u91cd\u8996\u8a6e\u91cb\u7684\u5360\u535c\u8853\uff0c\u724c\u9762\u4e0a\u7684\u8996\u89ba\u5143\u7d20\u50c5\u70ba\u5354\u52a9\u89e3\u724c\u7684\u90e8\u5206\u8981\u7d20\uff0c\u89e3\u724c\u8005\u5c0d\u724c\u7d44\u7684\u719f\u6089\u5ea6\u624d\u662f\u66f4\u91cd\u8981\u7684\u3002<\/p>\n\n\n\n

\u7b2c\u4e00\u6b21\u63a5\u89f8\u5854\u7f85\u6642\uff0c\u8a31\u591a\u4eba\u7686\u88ab\u5176\u8907\u96dc\u7684\u5716\u50cf\u6db5\u7fa9\u800c\u5438\u5f15\uff0c\u4f46\u4ed4\u7d30\u5206\u6790\u724c\u9762\u5f8c\uff0c\u5c31\u80fd\u767c\u73fe\u5049\u7279\u724c\uff08\u6216\u8005\u8a72\u8aaa\u99ac\u8cfd\u5854\u7f85\u724c\uff09\u4ecd\u6709\u8a31\u591a\u4e2d\u4e16\u7d00\u53ca\u6587\u85dd\u5fa9\u8208\u6587\u5316\u7684\u5f71\u97ff\uff0c\u540c\u6642\uff0c\u5973\u796d\u53f8\u7684\u724c\u9762\u8a2d\u8a08\u4e5f\u80fd\u4e00\u7aba\u66f4\u591a\u4f86\u81ea\u795e\u7955\u5b78\u7684\u5f71\u97ff\uff0c\u9019\u5305\u542b\u4e86\u57c3\u53ca\u795e\u8a71\u4ee5\u53ca\u5e0c\u4f2f\u4f86\u50b3\u7d71\u3002\u5728\u672c\u6587\u4e2d\uff0c\u91cd\u8981\u7684\u662f\u85dd\u8853\u53f2\u4e2d\u7684\u5716\u50cf\u5b78\u5c0d\u8fd1\u4ee3\u5716\u50cf\u7684\u61c9\u7528\uff0c\u4e26\u8a66\u5716\u8fa8\u5225\u9019\u4e9b\u4e4d\u770b\u964c\u751f\u7684\u8996\u89ba\u5143\u7d20\uff0c\u800c\u4ee5\u5854\u7f85\u724c\u4f5c\u70ba\u6954\u5b50\uff0c\u5e0c\u671b\u8b80\u8005\u4e5f\u80fd\u601d\u8003\u65e5\u5e38\u4e2d\u719f\u6089\u5716\u50cf\u7684\u6839\u6e90\u3002<\/p>\n\n\n\n

[1]<\/a> Timothy B. Husband, The World in Play: Luxury Cards 1430-1540 <\/em>(New York: The Metropolitan Museum of Art, 2016): 73-80.<\/p>\n\n\n\n

[2]<\/a> Cynthia A. Hogan, \u201cThe Tarot as Material Religion,\u201d in Understanding Religion and Popular Culture: Theories, Theme, Products and Practices<\/em>, ed. Terry Ray Clark & Dan W. Clanton, Jr (Oxon: Routledge, 2012), 201-2.<\/p>\n\n\n\n

[3]<\/a> Charles Clark, \u201cThe Zodiac Man in Medieval Medical Astrology,\u201d Quidditas <\/em>3, no. 3 (1982): 21.<\/p>\n\n\n\n

[4]<\/a> Ibid, 14-15, 29.<\/p>\n\n\n\n

\u53c3\u8003\u8cc7\u6599<\/strong><\/p>\n\n\n\n

Hogan, Cynthia A. \u201cThe Tarot as Material Religion.\u201d In Understanding Religion and Popular Culture: Theories, Theme, Products and Practices<\/em>, edited by Terry Ray Clark & Dan W. Clanton, Jr, 200-15. Oxon: Routledge, 2012.<\/p>\n\n\n\n

Mizrahi, Orly Salinas. \u201cThe Rider-Waite-Smith Tarot Deck: A Study in Icon & Iconography & Iconology According to Art History Theories and Jungian Archetypes.\u201d Postdoctoral Research, Hebrew University of Jerusalem, 2020.<\/p>\n\n\n\n

Clark, Charles. \u201cThe Zodiac Man in Medieval Medical Astrology.\u201d Quidditas <\/em>3, no. 3 (1982): 13-38.<\/p>\n\n\n\n

Husband, Timothy B. The World in Play: Luxury Cards 1430-1540<\/em>. New York: The Metropolitan Museum of Art, 2016.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

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