{"id":22734,"date":"2026-06-05T00:00:00","date_gmt":"2026-06-04T16:00:00","guid":{"rendered":"https:\/\/arthistorystrolls.com\/?p=22734"},"modified":"2026-06-04T16:15:55","modified_gmt":"2026-06-04T08:15:55","slug":"%e5%9c%93%e9%bb%9e%e3%80%81%e6%83%85%e8%89%b2%e8%88%87%e5%8f%8d%e6%88%b0%ef%bc%9a1960%e5%b9%b4%e4%bb%a3%e8%8d%89%e9%96%93%e5%bd%8c%e7%94%9f%e7%9a%84%e8%ba%ab%e9%ab%94%e5%b1%95%e6%bc%94%e8%88%87","status":"publish","type":"post","link":"https:\/\/arthistorystrolls.com\/?p=22734","title":{"rendered":"\u5713\u9ede\u3001\u60c5\u8272\u8207\u53cd\u6230\uff1a1960\u5e74\u4ee3\u8349\u9593\u5f4c\u751f\u7684\u8eab\u9ad4\u5c55\u6f14\u8207\u653f\u6cbb\u5ba3\u8a00"},"content":{"rendered":"\n

\u6587\uff0f\u5433\u5b9c\u771f<\/p>\n\n\n\n

\u795e\u79d8\u7684\u97f3\u6a02\u3001\u6643\u52d5\u91cd\u758a\u7684\u93e1\u982d\u3001\u8986\u84cb\u5713\u9ede\u7684\u5927\u81ea\u7136\u8207\u4eba\u9ad4\u2026\u2026\u9019\u5c31\u662f\u8349\u9593\u5f4c\u751f1967\u5e74\u6240\u62cd\u651d\u7684\u5be6\u9a57\u96fb\u5f71\u300a\u8349\u9593\u7684\u81ea\u6211\u6d88\u878d\u300b\uff08Kusama’s Self-Obliteration<\/em>\uff09\u3002\u3010\u57161\u3011\u9019\u90e8\u96fb\u5f71\u62cd\u651d\u65bc1967\u5e74\u590f\u5929\uff0c\u5c07\u7576\u5e74\u7684\u300c\u4e4d\u73fe\u85dd\u8853\u300d[1]<\/a> \u5f71\u50cf\u7d00\u9304\uff0c\u8207\u5979\u65e9\u671f\u7684\u756b\u4f5c\u3001\u8edf\u96d5\u5851\u7d50\u5408\u3002\u300a\u8349\u9593\u7684\u81ea\u6211\u6d88\u878d\u300b\u4e0d\u50c5\u662f\u4e00\u90e8\u52d5\u614b\u7d00\u9304\u7247\uff0c\u9084\u662f\u8349\u9593\u5c07\u5176\u85dd\u8853\u7279\u5fb5\u300c\u91cd\u8907\u6027\u5716\u50cf\u300d\uff0c\u5f9e\u756b\u5e03\u9032\u4e00\u6b65\u64f4\u5c55\u81f3\u793e\u6703\u73fe\u5834\u8207\u516c\u773e\u9818\u57df\u7684\u95dc\u9375\u8f49\u6298\u3002<\/p>\n\n\n\n

\"\"<\/a>
\u3010\u57161\u3011\u8349\u9593\u5f4c\u751f\u8207\u8cc8\u5fb7\uff0e\u96c5\u5eab\u7279\uff0c\u300a\u8349\u9593\u7684\u81ea\u6211\u6d88\u878d\u300b\uff08Kusama\u2019s Self-Obliteration<\/em>\uff09\uff0c1967\u5e74\uff0c16\u91d0\u7c73\u81a0\u5377\uff0c23\u520633\u79d2\uff0c\u8cc8\u5fb7\uff0e\u96c5\u5eab\u7279\u6536\u85cf\u3002\u5716\u7248\u4f86\u6e90\uff1aLynn Zelevansky, Laura Hoptman, and Akira Tatehata, eds., Love Forever: Yayoi Kusama<\/em>, 1958-1968 (Los Angeles: Los Angeles County Museum of Art, 1998).<\/figcaption><\/figure>\n\n\n\n

\u5713\u9ede\u8207\u81ea\u6211\u6d88\u878d<\/mark><\/strong><\/p>\n\n\n\n

\u6b63\u5982\u6211\u5728\u7b2c\u4e00\u6b21\u7684\u300a\u81ea\u6211\u6d88\u878d\u300b\u6f14\u51fa\u6d77\u5831\u4e0a\u6240\u5beb\uff1a\u300c\u8207\u6c38\u6046\u878d\u70ba\u4e00\u9ad4\u5427\u3002\u62b9\u9664\u4f60\u7684\u500b\u6027\u3002\u6210\u70ba\u74b0\u5883\u7684\u4e00\u90e8\u5206\uff0c\u5fd8\u537b\u81ea\u6211\u3002\u81ea\u6211\u6bc0\u6ec5\u624d\u662f\u552f\u4e00\u7684\u51fa\u8def\u3002\u300d\u6211\u7684\u8868\u6f14\u662f\u900f\u904e\u5713\u9ede\u5c55\u73fe\u7684\u8c61\u5fb5\u54f2\u5b78\u3002\u5713\u9ede\u7684\u5f62\u72c0\u65e2\u50cf\u662f\u592a\u967d\uff0c\u8c61\u5fb5\u6574\u500b\u4e16\u754c\u548c\u6211\u5011\u751f\u547d\u7684\u80fd\u91cf\uff0c\u4e5f\u50cf\u662f\u6708\u4eae\uff0c\u5be7\u975c\u3001\u5713\u6f64\u3001\u67d4\u548c\u3001\u591a\u5f69\u3001\u7121\u77e5\u7121\u89ba\u3002\u22ef\u22ef\u7576\u6211\u5011\u7528\u5713\u9ede\u6d88\u878d\u81ea\u7136\u548c\u6211\u5011\u7684\u8eab\u9ad4\uff0c\u6211\u5011\u5c31\u548c\u74b0\u5883\u878d\u70ba\u4e00\u9ad4\uff1a\u6211\u6210\u70ba\u4e86\u6c38\u6046\u7684\u4e00\u90e8\u5206\uff0c\u7136\u5f8c\u6211\u5011\u5728\u611b\u4e2d\u6d88\u878d\u81ea\u6211\u3002<\/mark>[2]<\/a><\/p>\n\n\n\n

1968\u5e74\u8349\u9593\u7684\u8a2a\u8ac7\u4e2d\u5c07\u300c\u81ea\u6211\u6d88\u878d\u300d\u5b9a\u7fa9\u70ba\u6d88\u89e3\u500b\u9ad4\u8207\u74b0\u5883\u7d71\u4e00\uff0c\u5c07\u5713\u9ede\u8996\u70ba\u4e16\u754c\u7684\u8c61\u5fb5\uff0c\u900f\u904e\u5713\u9ede\u8986\u84cb\u81ea\u8eab\u4f86\u5fd8\u8a18\u81ea\u6211\u3002[3]<\/a> \u5728\u96fb\u5f71\u4e2d\uff0c\u6211\u5011\u78ba\u5be6\u770b\u5230\u5713\u9ede\u8986\u84cb\u4e86\u6240\u6709\u7269\u4ef6\u3002\u7136\u800c\uff0c\u7576\u4e2d\u6709\u4e00\u500b\u8010\u4eba\u5c0b\u5473\u7684\u7d30\u7bc0\uff1a\u5728\u96fb\u5f71\u7d047\u5206\u534a\u8655\uff0c\u8349\u9593\u4e26\u975e\u4f7f\u7528\u5713\u9ede\uff0c\u800c\u662f\u6539\u7528\u300c\u6a39\u8449\u300d\u8986\u84cb\u5728\u8c93\u54aa\u8207\u88f8\u9ad4\u7537\u6027\u8eab\u4e0a\u3002\u6709\u8da3\u7684\u662f\uff0c\u76f8\u8f03\u65bc\u8272\u5f69\u9bae\u8c54\u7684\u5713\u9ede\uff0c\u6a39\u8449\u7684\u5f62\u72c0\u548c\u984f\u8272\u8207\u81ea\u7136\u74b0\u5883\u66f4\u5354\u8abf\uff0c\u53cd\u800c\u66f4\u5177\u5099\u300c\u6d88\u878d\u3001\u96b1\u85cf\u300d\u7684\u6548\u679c\u3002\u53cd\u89c0\u90a3\u4e9b\u62bd\u8c61\u3001\u9bae\u8c54\u7684\u5713\u9ede\uff0c\u5728\u68ee\u6797\u4e2d\u986f\u5f97\u6975\u5176\u7a81\u5140\u3001\u9192\u76ee\u3002\u9019\u7a2e\u8996\u89ba\u4e0a\u7684\u4e0d\u5354\u8abf\uff0c\u63ed\u793a\u4e86\u8349\u9593\u85dd\u8853\u4e2d\u7684\u77db\u76fe\uff1a\u5728\u8ffd\u6c42\u81ea\u6211\u6d88\u878d\u7684\u540c\u6642\uff0c\u5176\u85dd\u8853\u7b26\u865f\u537b\u5c55\u73fe\u51fa\u6975\u5f37\u7684\u4e3b\u9ad4\u8b58\u5225\u6027\u3002<\/p>\n\n\n\n

\u56de\u770b1964\u5e74\u7684\u300a\u9a45\u8feb\u610f\u8c61\u300b\uff08Driving Image<\/em>\uff09\u3010\u57162\u3011\uff0c\u8349\u9593\u5728\u300a\u9a45\u8feb\u610f\u8c61\u300b\u6253\u9020\u51fa\u4e00\u500b\u5713\u9ede\u74b0\u5883\uff0c\u5c07\u4eba\u9ad4\u6a21\u578b\u3001\u684c\u6905\u8207\u5404\u751f\u6d3b\u7528\u54c1\u8986\u84cb\u7db2\u72c0\u5716\u6848\u8207\u5713\u9ede\uff0c\u5730\u9762\u8986\u84cb\u901a\u5fc3\u7c89\uff0c\u4e26\u628a\u62ab\u982d\u56db\u7684\u6b4c\u66f2\u7528\u4f5c\u914d\u6a02\u3002[4]<\/a> \u7576\u6642\u8349\u9593\u5c07\u300c\u9a45\u8feb\u610f\u8c61\u300d\u5b9a\u7fa9\u70ba\u8edf\u96d5\u5851\u300c\u7a4d\u7d2f\u300d\uff08Accumulation\uff09\u7cfb\u5217\u7684\u5ef6\u4f38\uff0c\u662f\u5167\u5fc3\u5f71\u50cf\u5316\u70ba\u96d5\u5851\u5f8c\uff0c\u56e0\u5f71\u50cf\u6ea2\u51fa\u63a7\u5236\u800c\u6191\u85c9\u6163\u6027\u904b\u4f5c\u7684\u7d50\u679c\uff0c\u56e0\u800c\u7a31\u4e4b\u300c\u9a45\u8feb\u610f\u8c61\u300d\u3002[5]<\/a> \u9019\u7a2e\u8ad6\u8ff0\u8f49\u8b8a\u53cd\u6620\u51fa\u8349\u9593\u5728 1960 \u5e74\u4ee3\u5f8c\u671f\uff0c\u5f9e\u79c1\u4eba\u5275\u4f5c\u8f49\u5411\u516c\u5171\u884c\u70ba\u85dd\u8853\u7684\u50be\u5411\u3002\u5275\u4f5c\u7684\u5a92\u4ecb\u5f9e\u756b\u5e03\u8f49\u5411\u81ea\u7136\u7269\u8207\u4eba\u9ad4\uff0c\u4f86\u81ea\u500b\u4eba\u75c5\u7406\u7d93\u9a57\u7684\u300c\u7db2\u300d\u3001\u300c\u967d\u5177\u8c61\u5fb5\u300d\u3001\u300c\u901a\u5fc3\u7c89\u300d\u9000\u5c45\u5e55\u5f8c\uff0c\u53d6\u800c\u4ee3\u4e4b\u7684\u8a5e\u5f59\u70ba\u66f4\u5177\u666e\u4e16\u6027\u7684\u300c\u5713\u9ede\u300d\u3002\u300a\u8349\u9593\u7684\u81ea\u6211\u6d88\u878d\u300b\u6216\u8a31\u6b63\u53cd\u6620\u8349\u9593\u5728\u589e\u5f37\u81ea\u8eab\u85dd\u8853\u7684\u666e\u4e16\u6027\u6642\uff0c\u4ecd\u8a66\u5716\u4fdd\u6301\u85dd\u8853\u7b26\u865f\u7684\u8fa8\u8b58\u5ea6\u3002<\/p>\n\n\n\n

\"\"<\/a>
\u3010\u57162\u3011\u8349\u9593\u5f4c\u751f\uff0c\u300a\u9a45\u8feb\u610f\u8c61\u300b\uff08Driving Image<\/em>\uff09\uff0c1964-66\u5e74\uff0c\u8907\u5408\u5a92\u6750\uff0c\u85dd\u8853\u5bb6\u6536\u85cf\u30022024\u5317\u5e2b\u7f8e\u8853\u9928\u5c55\u51fa\u7167\u3002\u5716\u7248\u4f86\u6e90\uff1a\u5317\u5e2b\u7f8e\u8853\u9928<\/a>\u3002<\/figcaption><\/figure>\n\n\n\n

\u88f8\u9732\u8207\u81ea\u6211\u5ba3\u50b3<\/mark><\/strong><\/p>\n\n\n\n

\u57281960\u5e74\u4ee3\u521d\u671f\uff0c\u8349\u9593\u5f4c\u751f\u4fbf\u6e05\u695a\u5730\u5c07\u81ea\u5df1\u7684\u8eab\u9ad4\u8207\u4f5c\u54c1\u7d50\u5408\uff0c\u6709\u610f\u8b58\u7684\u5229\u7528\u6587\u5316\u8207\u6027\u5225\u523b\u677f\u5370\u8c61\u5efa\u69cb\u81ea\u6211\u4e26\u4f5c\u70ba\u5ba3\u50b3\u7b56\u7565\u3002[6]<\/a> \u5728\u65e9\u671f\u7684\u651d\u5f71\u7d00\u9304\u4e2d\uff0c\u6211\u5011\u5e38\u770b\u5230\u8349\u9593\u8207\u4f5c\u54c1\u5408\u5f71\uff0c\u5982\u5979\u8207\u300a\u805a\u5408\uff1a\u5343\u8239\u5c55\u300b\uff08Aggregation: 1000 Boat Show<\/em>\uff09\u7684\u5408\u7167\u3010\u57163\u3011\uff1b\u4ee5\u53ca\u5979\u8207\u300a\u7a4d\u7d2f\u4e8c\u865f\u300b\uff08Accumulation No. 2<\/em>\uff09\u7684\u5408\u7167\u3010\u57164\u3011\uff0c\u53c3\u7167\u7576\u6642\u6d41\u884c\u300c\u6d77\u5831\u5973\u90ce\u300d\uff08Pin-up girl\uff09\u7684\u59ff\u52e2\uff0c\u96b1\u542b\u60c5\u8272\u610f\u5473\u3002\u4f46\u9019\u4e26\u975e\u76f2\u76ee\u8fce\u5408\u5927\u773e\uff0c\u800c\u662f\u4e00\u7a2e\u53cd\u5ba2\u70ba\u4e3b\u7684\u7b56\u7565\uff1a\u8349\u9593\u85c9\u6b64\u985b\u8986\u4e86\u50b3\u7d71\u85dd\u8853\u4e2d\u300c\u7537\u6027\u651d\u5f71\u5e2b\u4e3b\u5c0e\u3001\u5973\u6027\u6a21\u7279\u5152\u88ab\u52d5\u300d\u7684\u95dc\u4fc2\uff0c\u5979\u5c07\u81ea\u5df1\u8b8a\u6210\u4e86\u4e3b\u52d5\u7684\u5c55\u793a\u8005\uff0c\u638c\u63e1\u4e86\u81ea\u5df1\u8eab\u9ad4\u7684\u300c\u89e3\u91cb\u6b0a\u300d\u3002[7]<\/a><\/p>\n\n\n\n

\"\"<\/a>
\u3010\u57163\u3011\u8349\u9593\u5f4c\u751f\u65bc\u300a\u805a\u5408\uff1a\u5343\u8239\u5c55\u300b\uff08Aggregation: 1000 Boat Show<\/em>\uff09\u88dd\u7f6e\uff0c\u651d\u65bc\u7d10\u7d04\u845b\u695a\u53f2\u5766\u756b\u5eca\uff08Gertrude Stein Gallery\uff09\uff0c1963\u5e74\uff0c\u85dd\u8853\u5bb6\u6536\u85cf\u3002\u5716\u7248\u4f86\u6e90\uff1a\u6606\u58eb\u862d\u7f8e\u8853\u9928<\/a>\u3002<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
\u3010\u57164\u3011\u8349\u9593\u5f4c\u751f\u65bc\u300a\u7a4d\u7d2f\u4e8c\u865f\u300b\uff08Accumulation No. 2<\/em>\uff09\uff0c\u7d041963\u5e74\u3002\u5716\u7248\u4f86\u6e90\uff1aMidori Yoshimoto, Into Performance: Japanese Women Artists in New York<\/em>.<\/figcaption><\/figure>\n\n\n\n

1960\u5e74\u4ee3\u4e2d\u671f\u8349\u9593\u8e0f\u5165\u6b50\u6d32\u85dd\u8853\u5708\u6642\uff0c\u8349\u9593\u4fbf\u662f\u4ee5\u60c5\u8272\u85dd\u8853\u5bb6\u7684\u5f62\u8c61\u88ab\u8a8d\u8b58\uff0c\u4e26\u6210\u529f\u5730\u63d0\u9ad8\u4e86\u77e5\u540d\u5ea6\uff0c\u53ef\u898b\u8349\u9593\u5728\u6b64\u6642\u5df2\u80fd\u719f\u7df4\u7684\u904b\u7528\u9019\u6a23\u7684\u8eab\u9ad4\u85dd\u8853\u4f86\u9032\u884c\u5ba3\u50b3\u3002\u53ef\u4ee5\u770b\u52301965\u5e74\u5728\u8377\u862d\u51fa\u7248\u7684\u300a\u65b0\u98a8\u683c\u300b\uff08de nieuwe stijl<\/em>\uff09[8]<\/a>\u3000\u8a2a\u8ac7\u5167\u9801\u7167\u3010\u57165\u3011\uff0c\u540c\u6a23\u662f\u5979\u8207\u300a\u7a4d\u7d2f\u4e8c\u865f\u300b\u7684\u5408\u7167\u3002\u9084\u67091965\u5e74\u8349\u9593\u5728\u8377\u862d\u53c3\u52a0\u7684\u7b2c\u4e8c\u500b\u5c55\u89bd\u70ba\u300a\u7576\u4ee3\u60c5\u8272\u7684\u9762\u5411\u300b\uff08facetten van de hedendaagse erotiek<\/em>\uff09\uff0c\u4e5f\u63d0\u9ad8\u4e86\u8349\u9593\u5728\u8377\u862d\u7684\u77e5\u540d\u5ea6\u8207\u8a0e\u8ad6\u5ea6\u3002[9]<\/a><\/p>\n\n\n\n

\"\"<\/a>
\u3010\u57165\u3011\u8a2a\u8ac7\u5167\u9801\u7167\u3002\u5716\u7248\u4f86\u6e90\uff1aYayoi Kusama, \u2018\u2018Interview prepared for W.A.B.C radio by Gordon Brown (1964),\u2019\u2019 and published, in Dutch, in Armando, Henk Peeters, and Hans Sleutelaar, eds., De neue stijl, deel 1: Werk van de internationale avant-garde<\/em>, pp. 50-51.<\/figcaption><\/figure>\n\n\n\n

\u6709\u8da3\u7684\u662f\uff0c\u8349\u9593\u5c0d\u65bc\u300c\u88f8\u9732\u300d\u7684\u904b\u7528\u975e\u5e38\u7cbe\u660e\u4e14\u6709\u7bc0\u5236\u3002\u7576\u6211\u5011\u7ffb\u958b 1967 \u5e74\u7684\u5ba3\u50b3\u5ee3\u544a\uff0c\u6703\u770b\u5230\u5979\u5927\u81bd\u5730\u5728\u88f8\u9ad4\u8cbc\u6eff\u5713\u9ede\u3001\u64fa\u51fa\u8a98\u4eba\u59ff\u52e2\u3010\u57166\u3011\uff1b[10]<\/a> \u7136\u800c\uff0c\u4e00\u65e6\u56de\u5230\u5be6\u5730\u7684\u85dd\u8853\u73fe\u5834\u2014\u2014\u4e5f\u5c31\u662f\u5979\u7684\u300c\u4e4d\u73fe\u300d\uff08Happening\uff09\u884c\u52d5\u6642\uff0c\u8349\u9593\u537b\u986f\u5f97\u683c\u5916\u7406\u667a\u3002\u5728\u9032\u884c\u4e4d\u73fe\u85dd\u8853\u6642\uff0c\u8349\u9593\u5f4c\u751f\u591a\u4ee5\u9818\u5c0e\u8005\u800c\u975e\u53c3\u8207\u8005\u7684\u8eab\u4efd\u4e3b\u5c0e\uff0c\u4e26\u4e0d\u6703\u52a0\u5165\u88f8\u9732\u8eab\u9ad4\u7684\u884c\u5217\uff0c\u4e14\u7531\u65bc\u6b64\u985e\u8868\u6f14\u5728\u7576\u6642\u5b58\u5728\u89f8\u6cd5\u98a8\u96aa\uff0c\u4ed6\u4e5f\u7279\u5225\u8058\u8acb\u4e86\u6cd5\u5f8b\u9867\u554f\u3002[11]<\/a> \u8349\u9593\u5f4c\u751f\u5f88\u6e05\u695a\u8a72\u5982\u4f55\u62ff\u634f\u5206\u5bf8\uff0c\u5229\u7528\u6e38\u64ca\u65b9\u5f0f\uff0c\u5728\u8b66\u5bdf\u6216\u4fdd\u5168\u4ecb\u5165\u524d\u7684\u6642\u9593\u4f86\u9032\u884c\u4e4d\u73fe\u85dd\u8853\uff0c\u7372\u53d6\u5a92\u9ad4\u95dc\u6ce8\u3002[12]<\/a><\/p>\n\n\n\n

\"\"<\/a>
\u3010\u57166\u30111967\u5e74\u5ee3\u544a\u5ba3\u50b3\u3002\u5716\u7248\u4f86\u6e90\uff1a”SLUM GODDESS,” The East Village Other, <\/em>vol. 2, no. 14 (June 1967). Independent Voices, Reveal Digital. Archives and Special Collections at the Thomas J. Dodd Research Center, University of Connecticut. JSTOR<\/a>. (accessed Dec. 10 2025).<\/figcaption><\/figure>\n\n\n\n

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\"\"<\/a>
\u3010\u57167\u3011\u300a\u6bcf\u65e5\u65b0\u805e\u300b\u982d\u7248\u7167\u7247\uff0c\u8a18\u9304\u8349\u9593\u5f4c\u751f\u65bc MoMA \u9032\u884c\u300a\u559a\u9192\u6b7b\u8005\u7684\u5927\u72c2\u6b61\u300b\u5c55\u6f14\u3002\u5716\u7248\u4f86\u6e90\uff1a\u2018\u2018Kusama\u2019s Grand Orgy to Awaken the Dead at MoMA,\u2019\u2019 Daily News <\/em>(New York), August 25, 1969.<\/figcaption><\/figure>\n\n\n\n

\u85dd\u8853\u4f5c\u54c1\u8207\u653f\u6cbb\u5ba3\u8a00<\/mark><\/strong><\/p>\n\n\n\n

\u4e00\u4e5d\u516d\u516b\u5e74\uff0c\u7f8e\u570b\u51fa\u73fe\u4e86\u66f4\u5927\u91cf\u7684\u4eba\u9ad4\u5f69\u7e6a\u4e4d\u73fe\uff0c\u4e0d\u904e\u9019\u6642\u4e4d\u73fe\u5df2\u7d93\u4e0d\u55ae\u53ea\u662f\u4e00\u7a2e\u85dd\u8853\u6027\u7684\u6f14\u51fa\uff0c\u9084\u88ab\u7528\u5728\u53cd\u6230\u6216\u8005\u662f\u653f\u6cbb\u6279\u5224\u7b49\u76ee\u7684\u4e0a\uff0c\u6210\u70ba\u4e00\u7a2e\u76f8\u7576\u80fd\u5920\u53cd\u6620\u7576\u4ee3\u98a8\u6c23\u548c\u793e\u6703\u80cc\u666f\u7684\u6d3b\u52d5\u3002<\/mark>[13]<\/a><\/p>\n\n\n\n

\u65e9\u57281960\u5e74\u4ee3\u7f8e\u570b\u7684\u85dd\u8853\u5bb6\u4fbf\u65e9\u5df2\u958b\u59cb\u7528\u85dd\u8853\u5275\u4f5c\u56de\u61c9\u53cd\u6230\u904b\u52d5\uff0c1966\u5e74\u5c0f\u91ce\u6d0b\u5b50\u7684\u300a\u7b2c\u56db\u865f\u96fb\u5f71\u300b\uff08Film No. 4<\/em>\uff09\uff08\u53c8\u540d\u300a\u81c0\u90e8\u300b\uff08Bottoms<\/em>\uff09\uff09\u4fbf\u6709\u6e05\u695a\u7684\u5ba3\u8a00\u6b64\u90e8\u4f5c\u54c1\u70ba\u300c\u70ba\u548c\u5e73\u800c\u767c\u7684\u8acb\u9858\u66f8\u300d\u3002[14]<\/a> \u300a\u8349\u9593\u7684\u81ea\u6211\u6d88\u878d\u300b\u5247\u5229\u7528\u8996\u89ba\u6b98\u7559\u4f7f\u89c0\u773e\u64c1\u6709\u8ff7\u5e7b\u795e\u79d8\u7684\u8996\u89ba\u9ad4\u9a57\uff0c\u900f\u904e\u89c0\u5f71\u5c07\u5713\u9ede\u6295\u5c04\u65bc\u89c0\u773e\u8eab\u4e0a\u3002<\/p>\n\n\n\n

\u7d10\u7d04\u8b49\u5238\u4ea4\u6613\u6240\u3001\u81ea\u7531\u5973\u795e\u50cf\u3001\u4f0d\u723e\u6c83\u65af\u5927\u6a13\uff08Woolworth Building\uff09\u3001\u5e1d\u570b\u5927\u5ec8\u3001\u806f\u5408\u570b\u5927\u6a13\uff0c\u4ee5\u53ca\u8857\u982d\u7684\u4eba\u7fa4\u3002\u9019\u4e9b\u4ee3\u8868\u8cc7\u672c\u4e3b\u7fa9\u8207\u6b0a\u529b\u7684\u90fd\u5e02\u7a7a\u9593\u5728\u5f71\u50cf\u4e2d\u88ab\u5713\u9ede\u8986\u84cb\uff0c\u88ab\u6d88\u89e3\u5176\u908a\u754c\u3002\u9bae\u8c54\u7684\u5713\u9ede\u62b9\u53bb\u4e86\u6027\u5225\u8207\u7a2e\u65cf\u7684\u6a19\u7c64\uff0c\u5c07\u4eba\u985e\u3001\u52d5\u690d\u7269\u8207\u90fd\u5e02\u540c\u8cea\u5316\uff0c\u85c9\u6b64\u6311\u6230\u73fe\u4ee3\u793e\u6703\u65e2\u6709\u7684\u5206\u985e\u6cd5\u5247\u3002\u6574\u90e8\u96fb\u5f71\u5229\u7528\u6643\u52d5\u8207\u91cd\u758a\u7684\u5f71\u50cf\u88fd\u9020\u8ff7\u5e7b\u611f\uff0c\u5c07\u6279\u5224\u8a34\u8af8\u65bc\u96c6\u9ad4\u7684\u611f\u5b98\u9ad4\u9a57\uff0c\u9054\u6210\u5c0d\u73fe\u4ee3\u6587\u660e\u7684\u89e3\u69cb\u3002\u4e26\u9810\u793a\u4e86 1968 \u5e74\u5f8c\u5177\u6709\u76f4\u63a5\u653f\u6cbb\u8a34\u6c42\u7684\u4e4d\u73fe\u884c\u52d5\uff0c\u5982\u300a\u89e3\u5256\u7206\u70b8\u300b\uff08The Anatomic Explosion<\/em>\uff09\u3002<\/p>\n\n\n\n

[1]<\/a> \u300c\u4e4d\u73fe\u300d\u82f1\u6587\u70ba\u300cHappening\u300d\uff0c\u53c8\u53ef\u7ffb\u8b6f\u6210\u300c\u5076\u767c\u300d\u3001\u300c\u4e8b\u4ef6\u300d\u3002\u672c\u6587\u53c3\u8003\u300a\u7121\u9650\u7684\u7db2\uff1a\u8349\u9593\u5f4c\u751f\u81ea\u50b3\u300b\u4e2d\u7684\u8b6f\u6cd5\uff0c\u4f7f\u7528\u300c\u4e4d\u73fe\u300d\u4e00\u8a5e\u3002\u8349\u9593\u5f4c\u751f\uff0c\u300a\u7121\u9650\u7684\u7db2\uff1a\u8349\u9593\u5f4c\u751f\u81ea\u50b3\u300b\uff0c\u912d\u884d\u5049\u8b6f\uff08\u65b0\u5317\uff1a\u6728\u99ac\u6587\u5316\uff0c2011\uff09\uff0c\u9801188<\/p>\n\n\n\n

[2]<\/a> Yayoi Kusama, quoted in Jud Yalkut, \u201cThe Polka Dot Way of Life (Conversations with Yayoi Kusama),\u201d New York Free Press<\/em>, no. 8 (1968): 8. \u4e2d\u6587\u7248\u7ffb\u8b6f\u53c3\u8003\uff1a\u5efa\u7560\u6662\u3001\u863f\u62c9\u30fb\u970d\u666e\u66fc\u3001\u70cf\u591a\u2027\u5eab\u7279\u66fc\u3001\u8349\u9593\u5f4c\u751f\u3001\u51f1\u745f\u7433\u2027\u5854\u592b\u7279\u5408\u8457\uff0c\u300a\u8349\u9593\u5f4c\u751f\u300b\uff08\u5b98\u598d\u5ef7\u8b6f\uff0c\u81fa\u7063\uff1a\u4e00\u5377\u6587\u5316\uff0c2024\uff09\u3002<\/p>\n\n\n\n

[3]<\/a> Yayoi Kusama, quoted in Jud Yalkut, \u201cThe Polka Dot Way of Life (Conversations with Yayoi Kusama),\u201d p. 8.<\/p>\n\n\n\n

[4]<\/a> \u300c\u9a45\u8feb\u610f\u8c61\u300d\u82f1\u6587\u70ba\u300cDriving Image\u300d\uff0c\u53c8\u53ef\u7ffb\u6210\u300c\u58d3\u8feb\u610f\u8c61\u300d\uff0c1964\u5e74\u65bc\u7d10\u7d04\u9996\u6b21\u5c55\u89bd\uff0c1966\u5e74\u5728\u7fa9\u5927\u5229\u8207\u5fb7\u570b\u5c55\u51fa\uff0c\u6bcf\u6b21\u5c55\u51fa\u7684\u7248\u672c\u7565\u6709\u5dee\u7570\u3002\u5317\u5e2b\u7f8e\u8853\u9928\u5718\u968a\u4e3b\u7de8\uff0c\u300a\u8349\u9593\u5f4c\u751f\u7684\u8ecc\u8de1\u8207\u5947\u8de1\u300b\uff0c\u9801150-151\u3002\u70cf\u591a\u2027\u5eab\u7279\u66fc\uff0c\u3008\u7126\u9ede\uff1a\u58d3\u8feb\u610f\u8c61\uff0c\u57c3\u68ee\u5e02\uff0c\u4e00\u4e5d\u516d\u516d\u5e74\u3009\uff0c\u300a\u8349\u9593\u5f4c\u751f\u300b\uff0c\u980179-87\u3002<\/p>\n\n\n\n

[5]<\/a> Yayoi Kusama, \u201cInterview prepared for W.A.B.C radio by Gordon Brown (1964),\u201d in Armano, Henk Peeters, and Hans Sleutelaar, eds., de nieuwe stijl<\/em>, deel 1: werk van de internationale avant-garde, vol. 1 (Amsterdam: De Bezige Bij, 1965).<\/p>\n\n\n\n

[6]<\/a> Midori Yoshimoto, Into Performance: Japanese Women Artists in New York<\/em> (New Brunswick, NJ: Rutgers University Press, 2005), pp. 45-78.<\/p>\n\n\n\n

[7]<\/a> Midori Yoshimoto, Into Performance: Japanese Women Artists in New York<\/em>, pp. 63-66.<\/p>\n\n\n\n

[8]<\/a> \u300a\u65b0\u98a8\u683c\u300b\uff08de nieuwe stijl<\/em>\uff09\u70ba\u8377\u862d\u85dd\u8853\u904b\u52d5\u96f6\uff08Nul\uff09\u7684\u91cd\u8981\u520a\u7269\u3002<\/p>\n\n\n\n

[9]<\/a> Tijs Visser, ed. Yayoi Kusama with love from Holland <\/em>( Amsterdam: 0-INSTITUTE, 2023), p. 23.<\/p>\n\n\n\n

[10]<\/a> \u201cSLUM GODDESS,\u201d The East Village Other<\/em>, vol. 2, no. 14 (June 1967): 13. Independent Voices, Reveal Digital. Archives and Special Collections at the Thomas J. Dodd Research Center, University of Connecticut. JSTOR, https:\/\/jstor.org\/stable\/community.28035816<\/a> (accessed Dec. 10 2025).<\/p>\n\n\n\n

[11]<\/a> \u8349\u9593\u5f4c\u751f\uff0c\u300a\u7121\u9650\u7684\u7db2\uff1a\u8349\u9593\u5f4c\u751f\u81ea\u50b3\u300b\uff0c\u912d\u884d\u5049\u8b6f\uff0c\u65b0\u5317\uff1a\u6728\u99ac\u6587\u5316\uff0c2011\uff0c\u9801145\u3002<\/p>\n\n\n\n

[12]<\/a> Midori Yoshimoto, Into Performance: Japanese Women Artists in New York<\/em>, pp. 67-76.<\/p>\n\n\n\n

[13]<\/a> \u8349\u9593\u5f4c\u751f\uff0c\u300a\u7121\u9650\u7684\u7db2 : \u8349\u9593\u5f4c\u751f\u81ea\u50b3\u300b\uff0c\u9801155-156\u3002<\/p>\n\n\n\n

[14]<\/a> Peterson, Nina. “Perplexity and Anti\u2013Vietnam War Protest in Yoko Ono\u2019s Film No. 4.” Afterimage <\/em>52.1 (2025): 47-66.<\/p>\n\n\n\n

\u53c3\u8003\u8cc7\u6599<\/strong><\/p>\n\n\n\n

\u4e2d\u3001\u65e5\u6587\u8ad6\u8457<\/p>\n\n\n\n

\u5317\u5e2b\u7f8e\u8853\u9928\u5718\u968a\u4e3b\u7de8\uff0c\u300a\u8349\u9593\u5f4c\u751f\u7684\u8ecc\u8de1\u8207\u5947\u8de1\u300b\uff0c\u81fa\u5317\uff1a\u570b\u7acb\u81fa\u5317\u6559\u80b2\u5927\u5b78\u5317\u5e2b\u7f8e\u8853\u9928\uff0c2025\u3002<\/p>\n\n\n\n

\u6771\u4eac\u570b\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\u3001\u5ee3\u5cf6\u5e02\u73fe\u4ee3\u7f8e\u8853\u9928\u3001\u718a\u672c\u5e02\u73fe\u4ee3\u7f8e\u8853\u9928\u3001\u677e\u672c\u5e02\u7f8e\u8853\u9928\u7de8\uff0c\u300a\u8349\u9593\u5f4c\u751f\uff1a\u6c38\u9060\u306e\u73fe\u5728\u300b\uff0c\u6771\u4eac\uff1a\u7f8e\u8853\u51fa\u7248\u793e\uff0c2005\u3002<\/p>\n\n\n\n

\u8349\u9593\u5f4c\u751f\uff0c\u300a\u7121\u9650\u306e\u7db2\u2015\u8349\u9593\u5f4c\u751f\u81ea\u4f1d\u300b\uff0c\u6771\u4eac\uff1a\u65b0\u6f6e\u793e\uff0c2002\u3002\uff08\u4e2d\u6587\u7248\uff1a\u8349\u9593\u5f4c\u751f\uff0c\u300a\u7121\u9650\u7684\u7db2\uff1a\u8349\u9593\u5f4c\u751f\u81ea\u50b3\u300b\uff0c\u912d\u884d\u5049\u8b6f\uff0c\u65b0\u5317\uff1a\u6728\u99ac\u6587\u5316\uff0c2011\u3002\uff09<\/p>\n\n\n\n

\u897f\u6587\u8ad6\u8457<\/p>\n\n\n\n

\u671f\u520a\u8ad6\u6587<\/p>\n\n\n\n

Soojin, Lee. \u201cThe Art and Politics of Artists\u2019 Personas: The Case of Yayoi Kusama.\u201d Persona Studies<\/em> 1, no. 1 (2015): 25-39.<\/p>\n\n\n\n

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