{"id":3726,"date":"2018-05-25T00:00:46","date_gmt":"2018-05-24T16:00:46","guid":{"rendered":"http:\/\/arthistorystrolls.com\/?p=3726"},"modified":"2020-10-18T12:48:29","modified_gmt":"2020-10-18T04:48:29","slug":"%e6%94%9d%e5%bd%b1%e4%b8%ad%e7%9a%84%e7%b4%80%e5%af%a6%e8%88%87%e8%97%9d%e8%a1%93","status":"publish","type":"post","link":"https:\/\/arthistorystrolls.com\/?p=3726","title":{"rendered":"\u651d\u5f71\u4e2d\u7684\u7d00\u5be6\u8207\u85dd\u8853"},"content":{"rendered":"

\u6587 \/ \u6728\u6728\u65e5\u5b89<\/p>\n

\u5341\u4e5d\u4e16\u7d00\u651d\u5f71\u8853\u7684\u51fa\u73fe\uff0c\u63d0\u4f9b\u4e86\u76f8\u5c0d\u65bc\u7e6a\u756b\u4f86\u8aaa\u66f4\u70ba\u5ba2\u89c0\u3001\u7406\u6027\u7684\u7d00\u9304\u5de5\u5177\u3002\u4f46\u8a31\u591a\u7167\u7247\u300c\u6a94\u6848\u300d\u4e26\u975e\u662f\u300c\u7d55\u5c0d\u7684\u771f\u5be6\u300d\uff0c\u800c\u662f\u4e00\u7a2e\u300c\u8a6e\u91cb\u4e8b\u5be6\u300d\u7684\u65b9\u5f0f\u3002\u651d\u5f71\u80fd\u5920\u900f\u904e\u4eba\u5011\u6311\u9078\u3001\u7de8\u6392\uff0c\u50b3\u9054\u51fa\u4e0d\u4e00\u6a23\u7684\u8a0a\u606f\u3002\u800c\u651d\u5f71\u6a94\u6848\u80cc\u5f8c\u7684\u89e3\u8b80\u8108\u7d61\uff0c\u4e5f\u6703\u56e0\u70ba\u4e0d\u540c\u7684\u8eab\u4efd\u80cc\u666f\u6216\u7acb\u5834\u800c\u6709\u6240\u4e0d\u540c\u3002<\/p>\n

\u4ee520\u4e16\u7d00\u4e2d\u671f\u52a0\u62ff\u5927\u5546\u696d\u651d\u5f71\u5e2bLeslie Shedden\u7684\u651d\u5f71\u4f5c\u54c1\u70ba\u4f8b\uff0cLeslie Shedden\u53d7\u7164\u7926\u516c\u53f8\u59d4\u8a17\uff0c\u6709\u7cfb\u7d71\u5730\u62cd\u651dGlace Bay\u93ae\u4e0a\u7926\u5de5\u7684\u5de5\u4f5c\uff0c\u4ee5\u53ca\u7576\u5730\u5c45\u6c11\u751f\u6d3b\u7684\u7167\u7247\u3002Leslie Shedden\u7684\u4f5c\u54c1\u4e2d\uff0c\u7926\u5de5\u5011\u5b89\u5c45\u6a02\u696d\uff0c\u4e5f\u5c55\u73fe\u51fa\u8f9b\u52de\u5de5\u4f5c\u6642\u5c08\u696d\u7684\u4e00\u9762\u3002\u5982\u6b64\u7d93\u904e\u7f8e\u5316\u3001\u906e\u7455\u904e\u7684\u76f8\u7247\u6a23\u8c8c\uff0c\u63a9\u84cb\u4e86\u7164\u7926\u516c\u53f8\u7684\u5371\u6a5f\u8207\u52de\u8cc7\u96d9\u65b9\u4e4b\u9593\u7684\u885d\u7a81\uff0c\u4e5f\u96b1\u85cf\u4e86\u7576\u6642\u7d93\u6fdf\u856d\u689d\u7684\u771f\u5be6\u56f0\u5883\u3002\u9019\u4e9b\u300c\u4e0d\u5be6\u300d\uff0c\u63d0\u9192\u6211\u5011\u4e0d\u61c9\u8a72\u8a8d\u70ba\u651d\u5f71\u6a94\u6848\u662f\u7d55\u5c0d\u5ba2\u89c0\u7684\u7d00\u9304\u3002\u4f46\u5728\u53e6\u4e00\u65b9\u9762\uff0c\u9019\u7a2e\u5e38\u6c11\u651d\u5f71\u6240\u80fd\u767c\u63ee\u7684\u60c5\u611f\u529b\u91cf\uff0c\u53ef\u4ee5\u5e36\u7d66\u4eba\u6c11\u60c5\u7dd2\u4e0a\u7684\u6170\u85c9\u53ca\u7d00\u5ff5\u3002\u9019\u8b93\u6211\u5011\u7406\u89e3\u5230\u7167\u7247\u7684\u53e6\u4e00\u7a2e\u89e3\u8b80\u6a94\u6848\u65b9\u5f0f\uff0c\u7167\u7247\u8207\u89c0\u8005\u4e4b\u9593\u7684\u95dc\u806f\u6027\uff0c\u6703\u5f71\u97ff\u7167\u7247\u7684\u60c5\u611f\u529b\u91cf\uff0c\u800c\u4e14\uff0c\u9019\u985e\u7d00\u9304\u751f\u6d3b\u3001\u4e8b\u4ef6\u6216\u4eba\u7269\u7684\u7167\u7247\uff0c\u5176\u6548\u679c\u53ef\u80fd\u9060\u6bd4\u55ae\u7d14\u7684\u6587\u5b57\u7d00\u9304\uff0c\u66f4\u5177\u6709\u76f4\u63a5\u7684\u885d\u64ca\u8207\u756b\u9762\u611f\u3002<\/p>\n

\"\u6797\u664f\u57161\"<\/a>
(\u5de6) Leslie Shedden, Princess Colliery, 1955. (Engineers and hard-rock miners on the incomplete tipple mechanism at Princess Colliery.) (\u53f3) Leslie Shedden, Princess Colliery, 1955. (Miners installing friction steel support jacks for the Dosco Miner.)<\/figcaption><\/figure>\n

\u96a8\u84571960\u5e74\u4ee3\u89c0\u5ff5\u85dd\u8853\u7684\u5d1b\u8d77\uff0c\u651d\u5f71\u7684\u6a23\u8c8c\u548c\u610f\u7fa9\u8d8a\u52a0\u8c50\u5bcc\uff0c\u651d\u5f71\u5f9e\u300c\u7d00\u9304\u771f\u5be6\u300d\u7684\u6982\u5ff5\u4e2d\u89e3\u5957\u51fa\u4f86\u3002\u5728\u89c0\u5ff5\u85dd\u8853\u8108\u7d61\u4e0b\uff0c\u6b64\u6642\u651d\u5f71\u6210\u70ba\u4e00\u7a2e\u5275\u4f5c\u624b\u6bb5\u3001\u4e00\u7a2e\u85dd\u8853\u7406\u5ff5\u3001\u4e00\u7a2e\u98a8\u683c\u5617\u8a66\uff0c\u8b93\u6211\u5011\u628a\u651d\u5f71\u62c9\u5230\u85dd\u8853\u5c64\u6b21\u53bb\u8a0e\u8ad6\u3002\u89c0\u5ff5\u85dd\u8853\u767e\u767e\u7a2e\uff0c\u85dd\u8853\u5bb6\u64cd\u63a7\u651d\u5f71\u4f5c\u70ba\u5275\u4f5c\u5a92\u4ecb\uff0c\u7686\u6709\u4e0d\u540c\u7684\u8655\u7406\u65b9\u5f0f\u3002\u800c\u4ed6\u5011\u6b32\u85c9\u7531\u4f5c\u54c1\u50b3\u9054\u7684\u7406\u5ff5\uff0c\u4e5f\u5404\u6709\u5dee\u7570\u3002\u4ee5\u4e0b\u8209\u51faSherrie Levine\u3001Jeff Wall\u3001Thomas Ruff\u4e09\u4f4d\u85dd\u8853\u5bb6\u8aaa\u660e\u4e4b\u3002\u9996\u5148\u4f86\u770bSherrie Levine\u7684\u300a\u5728\u6c83\u514b\u30fb\u827e\u51e1\u65af\u4e4b\u5f8c\uff1a4\u300b\uff08After Walker Evans: 4<\/em>, 1981\uff09\u4e00\u4f5c\uff0c\u4ee5\u632a\u7528\uff08appropriation\uff09\u5f71\u50cf\u8cea\u7591\u539f\u5275\u6027\uff08originality\uff09\u3001\u4f5c\u8005\u6027\uff08authority\uff09\u3001\u8457\u4f5c\u6b0a\uff08copyright\uff09\u7684\u89c0\u5ff5\u3002\u85dd\u8853\u5bb6\u6210\u70ba\u7b26\u865f\u7684\u64cd\u63a7\u8005\uff0c\u9019\u6a23\u7684\u5f8c\u73fe\u4ee3\u651d\u5f71\u5f37\u5316\u4e86\u8907\u88fd\u7684\u7279\u6027\uff0c\u985b\u8986\u4e86\u73fe\u4ee3\u4e3b\u7fa9\u6709\u95dc\u8996\u89ba\u539f\u5275\u98a8\u683c\u7684\u8ff7\u601d\u3002<\/p>\n

\"\u6797\u664f\u57162\"<\/a>
(\u5de6) Sherrie Levine, After Walker Evans: 4, 1981. Gelatin silver print, 12.8×9.8 cm. The Met. (\u53f3) Walker Evans, Alabama Tenant Farmer Wife, 1936. Gelatin silver print, 20.9×14.4 cm. The Met.<\/figcaption><\/figure>\n

Jeff Wall\u7684\u300a\u5ffd\u7136\u4e00\u9663\u72c2\u98a8\u8d77\u300b\uff08A Sudden Gust of Wind<\/em>, 1993\uff09\u9019\u4ef6\u7de8\u5c0e\u5f0f\u651d\u5f71\u4f5c\u54c1\uff0c\u547c\u61c9\u8457\u845b\u98fe\u5317\u9f4b\u6d6e\u4e16\u7e6a\u7248\u756b\u300a\u51a8\u5dbd\u4e09\u5341\u516d\u666f\u300b\u4e2d\u7684\u300a\u9a8f\u5dde\u6c5f\u5c3b\u300b\u3002\u9664\u4e86\u53cd\u7701\u300c\u7d00\u5be6\u651d\u5f71\u300d\u7684\u771f\u5be6\u6027\u5916\uff0c\u66f4\u900f\u904e\u651d\u5f71\u4f86\u5be6\u9a57\u5176\u6240\u80fd\u6bd4\u64ec\u7684\u7e6a\u756b\u6027\u8cea\u3002\u7d93\u904e\u651d\u5f71\u5e2b\u7684\u8a2d\u8a08\u5de7\u601d\u8207\u7be9\u9078\u52a0\u5de5\uff0c\u7167\u7247\u4e2d\u6240\u8868\u73fe\u51fa\u4f86\u7684\u5f71\u50cf\u5167\u5bb9\uff0c\u4e0d\u4e00\u5b9a\u662f\u5b8c\u5168\u5c6c\u5be6\uff0c\u537b\u80fd\u5920\u5c55\u73fe\u51fa\u85dd\u8853\u8c50\u76c8\u7684\u4e00\u9762\u3002<\/p>\n

\"\u6797\u664f\u57163\"<\/a>
(\u5de6) Jeff Wall, A Sudden Gust of Wind (After Hokusai), 1993. Transparency on lightbox, 250x397x34 cm. Tate Britain. (\u53f3) \u845b\u98fe\u5317\u9f4b, \u51a8\u5dbd\u4e09\u5341\u516d\u666f-\u9a8f\u5dde\u6c5f\u5c3b, \u6728\u7248\u5370\u5237, 24.2 x36.2 cm. \u6771\u4eac\u5bcc\u58eb\u7f8e\u8853\u9928.<\/figcaption><\/figure>\n

Thomas Ruff\u65bc1980\u5e74\u4ee3\u7684\u8096\u50cf\u7cfb\u5217\uff0c\u5982\u8b49\u7167\u822c\u7684\u5de8\u5927\u5c3a\u5e45\u4eba\u50cf\u5f69\u8272\u7167\u7247\uff0c\u5c07\u89c0\u8005\u5728\u89c0\u770b\u4f5c\u54c1\u6642\uff0c\u6240\u7522\u751f\u7684\u300c\u9762\u5c0d\u9762\u300d\u3001\u300c\u885d\u64ca\u6027\u300d\u4e4b\u8996\u89ba\u9ad4\u9a57\u63a8\u81f3\u6975\u7aef\u3002\u503c\u5f97\u6ce8\u610f\u7684\u662f\uff0cThomas Ruff\u5728\u6709\u610f\u6216\u7121\u610f\u9593\uff0c\u4e5f\u5de7\u5999\u547c\u61c9\u4e8619\u4e16\u7d00\u85dd\u8853\u5bb6\u00c9douard Manet\u300a\u7dad\u591a\u8389\u5b89\u30fb\u83ab\u676d\u8096\u50cf\u300b\uff08Portrait of Victorine Meurent<\/em>, 1862\uff09\u4e00\u4f5c\u4e2d\uff0c\u4eba\u7269\u6563\u767c\u51fa\u4f86\u7684\u300c\u758f\u9060\u6027\u300d\u3002Manet\u756b\u4f5c\u4e2d\u7684\u5973\u5b50\u770b\u5411\u89c0\u773e\u8655\uff0c\u4f46\u773c\u795e\u537b\u8207\u89c0\u8005\u4e4b\u9593\u6c92\u6709\u771f\u6b63\u4ea4\u6d41\uff0c\u800c\u6211\u5011\u96e3\u4ee5\u85c9\u7531\u89c0\u770b\u756b\u9762\uff0c\u89e3\u8b80\u51fa\u4efb\u4f55\u95dc\u65bc\u5973\u5b50\u8eab\u4efd\u80cc\u666f\u8207\u5167\u5fc3\u72c0\u6cc1\u7684\u53ef\u80fd\u3002<\/p>\n

\"\u6797\u664f\u57164\"<\/a>
(\u5de6) Thomas Ruff, Portrait [A. Kachold], 1987. Chromogenic process print, 23.5×17.8 cm, and later 210×165 cm. (\u53f3) \u00c9douard Manet, Portrait of Victorine Meurent, 1862. Oil on canvas, 43×43 cm. Museum of Fine Arts, Boston.<\/figcaption><\/figure>\n

\u6700\u5f8c\uff0c\u56de\u6b78\u8a0e\u8ad6\u651d\u5f71\u6700\u6839\u672c\u7684\u300c\u7d00\u5be6\u300d\u529f\u80fd\u3002\u5728\u67d0\u4e9b\u6642\u523b\uff0c\u300c\u7d00\u5be6\u300d\u8207\u300c\u85dd\u8853\u300d\u4e4b\u9593\u7684\u754c\u7dda\u5df2\u8da8\u65bc\u6a21\u7cca\u3002\u4ee5\u77e5\u540d\u65b0\u805e\u651d\u5f71\u5bb6Luc Delahaye\u70ba\u4f8b\uff0c\u4ed6\u63a1\u7528\u5168\u666f\u5927\u5c3a\u5e45\u76f8\u6a5f\uff0c\u500b\u4eba\u5316\u5730\u8655\u7406\u65b0\u805e\u548c\u6230\u722d\u984c\u6750\u3002\u5f9e\u300a\u5854\u5229\u73ed\u300b\uff08Taliban<\/em>, 2001\uff09\u4e00\u4f5c\u4e2d\uff0c\u53ef\u898bLuc Delahaye\u4ee5\u7121\u6d89\u5165\u6230\u722d\u7684\u51b7\u975c\u614b\u5ea6\uff0c\u548c\u771f\u5be6\u4e8b\u7269\u4fdd\u6301\u7c21\u55ae\u7684\u95dc\u4fc2\u3002Luc Delahaye\u4e0d\u540c\u65bc\u4e00\u822c\u65b0\u805e\u7167\u7247\u90a3\u822c\u6232\u5287\u5316\uff0c\u4e5f\u6c92\u6709\u5f37\u70c8\u7684\u7acb\u5834\u8868\u614b\uff0c\u800c\u662f\u64d4\u4efb\u4e2d\u7acb\u4e14\u8085\u7a46\u7684\u8a0a\u606f\u50b3\u905e\u8005\uff0c\u9080\u89c0\u8005\u7d30\u8b80\u756b\u9762\uff0c\u4e26\u5f9e\u89c0\u770b\u904e\u7a0b\u4e2d\u7701\u601d\u6230\u722d\u548c\u50b7\u4ea1\u3002\u9019\u6a23\u7684\u756b\u9762\u514b\u5236\uff0c\u5f77\u82e5\u7e6a\u756b\u6280\u6cd5\u4e2d\u7684\u300c\u7559\u767d\u300d\uff0c\u651d\u5f71\u8005\u5728\u76f8\u7d19\u4e2d\u4e0d\u6dfb\u5165\u904e\u591a\u7684\u60c5\u7dd2\uff0c\u50c5\u50b3\u905e\u5fc5\u8981\u7684\u7dda\u7d22\uff0c\u8b93\u89c0\u8005\u80fd\u5920\u5f9e\u9019\u4e9b\u523b\u610f\u300c\u7559\u767d\u300d\u7684\u7d00\u9304\u6a94\u6848\u4e2d\uff0c\u5f97\u5230\u53cd\u601d\u8207\u6279\u5224\u95b1\u8b80\u7684\u7a7a\u9593\u3002<\/p>\n

\"\u6797\u664f\u57165\"
Luc Delahaye, Taliban<\/em>, 2001. Digital chromogenic process print, 111 x 237 cm. Nathalie Obadia Gallery.<\/figcaption><\/figure>\n

\u5f9e\u4e0a\u8ff0\u6211\u5011\u53ef\u4ee5\u5f97\u77e5\uff0c\u651d\u5f71\u5728\u4e0d\u540c\u7684\u8108\u7d61\u4e2d\uff0c\u6709\u4e0d\u4e00\u6a23\u7684\u6558\u4e8b\u4f5c\u7528\u3002\u651d\u5f71\u7684\u64cd\u4f5c\u8005\uff0c\u53ef\u80fd\u5c07\u5176\u8996\u70ba\u7d00\u9304\u4e8b\u5be6\u7684\u5de5\u5177\uff0c\u6216\u8005\u662f\u89c0\u5ff5\u85dd\u8853\u7684\u5a92\u4ecb\u3002\u76f8\u5c0d\u7684\uff0c\u89c0\u770b\u8005\u5982\u4f55\u6b63\u78ba\u7406\u89e3\u651d\u5f71\u6a94\u6848\u860a\u542b\u7684\u610f\u7fa9\uff0c\u5728\u73fe\u4eca\u4e16\u4ee3\u8b8a\u5f97\u81f3\u95dc\u91cd\u8981\u3002\u6211\u8a8d\u70ba\uff0c\u651d\u5f71\u65e2\u80fd\u540c\u6642\u517c\u9867\u300c\u7d00\u9304\u300d\u529f\u80fd\uff0c\u53c8\u80fd\u85c9\u7531\u300c\u85dd\u8853\u300d\u7684\u8a6e\u91cb\u4e2d\u73a9\u51fa\u65b0\u610f\uff0c\u9019\u5c31\u662f\u651d\u5f71\u80fd\u5920\u5982\u6b64\u4f7f\u4eba\u8457\u8ff7\u7684\u539f\u56e0\u5427\u3002<\/p>\n

\u53c3\u8003\u8cc7\u6599<\/strong><\/p>\n

    \n
  1. Allan Sekula, \u201cReading an Archive: Photography between Labour and Capital,\u201d in Liz Wells, ed., The Photography Reader<\/em> (London: Routledge, 2004), pp. 443-452.<\/li>\n
  2. Steve Edwards, \u201cPhotography Out of Conceptual Art,\u201d in Gill Perry, Paul Wood, ed., Themes in Contemporary Art <\/em>(New Haven: Yale University Press in association with the Open University, 2004), pp. 137-180.<\/li>\n
  3. Michael Fried, \u201cJean-Franc\u0327ois Chevrier on the \u2018Tableau Form\u2019: Thomas Ruff, Andreas Gursky, Luc Delahaye,\u201d in Why Photography Matters as Art as Never Before<\/em> (New Haven, Conn.: Yale University Press, 2012), pp. 143-189.<\/li>\n<\/ol>\n

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