{"id":5478,"date":"2020-01-02T23:55:52","date_gmt":"2020-01-02T15:55:52","guid":{"rendered":"http:\/\/arthistorystrolls.com\/?p=5478"},"modified":"2024-11-30T21:29:29","modified_gmt":"2024-11-30T13:29:29","slug":"%e7%98%8b%e7%8b%82%e8%80%8c%e7%be%8e%e9%ba%97%ef%bc%9a%e7%b6%ad%e5%a4%9a%e5%88%a9%e4%ba%9e%e6%99%82%e6%9c%9f%e7%9a%84ophelia%e5%bd%a2%e8%b1%a1%e8%88%87%e7%b2%be%e7%a5%9e%e9%86%ab%e5%ad%b8","status":"publish","type":"post","link":"https:\/\/arthistorystrolls.com\/?p=5478","title":{"rendered":"\u760b\u72c2\u800c\u7f8e\u9e97\uff1a\u7dad\u591a\u5229\u4e9e\u6642\u671f\u7684Ophelia\u5f62\u8c61\u8207\u7cbe\u795e\u91ab\u5b78"},"content":{"rendered":"

\u6587 \/ \u9ec3\u6842\u7469
\n\u572819\u4e16\u7d00\u82f1\u570b\u8996\u89ba\u6587\u5316\u4e2d\uff0c\u838e\u58eb\u6bd4\u4e9e\u540d\u5287\u300a\u54c8\u59c6\u96f7\u7279\u300b(Hamlet<\/em>)\u4e2d\u7684\u6b50\u83f2\u8389\u4e9e(Ophelia)\u53ef\u8aaa\u662f\u6700\u77e5\u540d\u7684\u5973\u6027\u5f62\u8c61\u4e4b\u4e00\u3002\u5728\u9019\u90e8\u5145\u6eff\u8d85\u81ea\u7136\u5e7b\u8c61\u3001\u653f\u6cbb\u91ce\u5fc3\u8207\u5fa9\u4ec7\u60c5\u7bc0\u7684\u9245\u4f5c\u4e2d\uff0c\u6b50\u83f2\u8389\u4e9e\u67d4\u7f8e\u5b0c\u5f31\u7684\u5973\u6027\u6c23\u8cea\uff0c\u5c0d\u6bd4\u65bc\u5979\u56e0\u89aa\u60c5\u3001\u611b\u60c5\u5e7b\u6ec5\u800c\u760b\u72c2\u81ea\u6bc0\u7684\u547d\u904b\uff0c\u6210\u70ba\u6b64\u6642\u671f\u5275\u4f5c\u8005\u91cd\u8981\u7684\u9748\u611f\u4f86\u6e90\u3002\u524d\u62c9\u6590\u723e\u6d3e\u756b\u5bb6\u7d04\u7ff0\u00b7\u827e\u4f5b\u96f7\u7279\u00b7\u7c73\u840a(John Everett Millais, 1829-1896)\u7684\u756b\u4f5c\u300a\u6b50\u83f2\u8389\u4e9e\u300b\u3010\u57161\u3011\uff0c\u4ee5\u7d30\u81a9\u7b46\u6cd5\u5448\u73fe\u6b50\u83f2\u8389\u4e9e\u6f02\u6d6e\u5728\u6eaa\u6d41\u4e2d\uff0c\u982d\u6234\u8457\u624b\u7de8\u7684\u82b1\u8349\u982d\u51a0\uff0c\u96d9\u624b\u5982\u6b89\u9053\u8005\u822c\u5fae\u5f35\u4e0a\u63da\uff0c\u773c\u795e\u5931\u7126\u8ff7\u832b\uff0c\u53e3\u4e2d\u4f3c\u4e4e\u541f\u5531\u8457\u6b4c\u8b20\uff0c\u5c0d\u5373\u5c07\u5230\u4f86\u7684\u547d\u904b\u6beb\u4e0d\u77e5\u60c5\u3002\u7c73\u840a\u4ee5\u5145\u6eff\u6190\u61ab\u7684\u65b9\u5f0f\u8868\u73fe\u6b50\u83f2\u8389\u4e9e\u7684\u7d0a\u4e82\u5fc3\u7dd2\uff0c\u52a0\u4e0a\u5c0d\u6cb3\u5cb8\u690d\u7269\u6975\u5ea6\u5beb\u5be6\u7684\u5834\u666f\u63cf\u7e6a\uff0c\u8b93\u9019\u6bb5\u5728\u821e\u53f0\u4e0a\u672a\u80fd\u6f14\u51fa\u7684\u60c5\u7bc0\uff0c\u6210\u70ba\u6df1\u690d\u4eba\u5fc3\u7684\u7d93\u5178\u5834\u666f\u3002<\/p>\n

\"\u3010\u57161\u3011John<\/a>
\u3010\u5716 1\u3011John Everett Millais, Ophelia, 1851-52. Oil on canvas.<\/figcaption><\/figure>\n

\u9664\u4e86\u756b\u4f5c\uff0c\u6b50\u83f2\u8389\u4e9e\u7684\u4e3b\u984c\u4e5f\u88ab\u5ee3\u6cdb\u5448\u73fe\u65bc\u651d\u5f71\u4e2d\u3002\u77e5\u540d\u651d\u5f71\u5bb6\u6731\u9e97\u4e9e\u00b7\u746a\u683c\u9e97\u7279\u00b7\u5361\u6885\u9686(Julia Margret Cameron, 1815-1879)\u4fbf\u66fe\u4ee5\u6b64\u5275\u4f5c\u591a\u5e45\u4f5c\u54c1\u3002\u3010\u57162\u3011\u3010\u57163\u3011\u5728\u9019\u4e9b\u7167\u7247\u4e2d\uff0c\u5361\u6885\u9686\u4ee5\u8fd1\u8ddd\u96e2\u7684\u53d6\u666f\u5448\u73fe\u5927\u5e45\u7684\u8096\u50cf\u5f62\u5f0f\uff0c\u4f7f\u5f97\u6a21\u7279\u5152\u7684\u60c5\u611f\u8868\u73fe\u6df1\u5177\u611f\u67d3\u6027\uff0c\u800c\u5979\u559c\u7528\u7684\u67d4\u7126\u6280\u6cd5\uff0c\u4e5f\u70ba\u9019\u4e9b\u4f5c\u54c1\u589e\u6dfb\u795e\u79d8\u5e7d\u5fae\u7684\u6c1b\u570d\u3002\u5361\u6885\u9686\u93e1\u982d\u4e0b\u7684\u6b50\u83f2\u8389\u4e9e\u6709\u6642\u7a7f\u6234\u6df1\u8272\u3001\u6597\u7bf7\u72c0\u7684\u4e0a\u8863\uff0c\u4f3c\u8207\u5e7d\u9eef\u80cc\u666f\u878d\u70ba\u4e00\u9ad4\uff0c\u6709\u6642\u5247\u7a7f\u8457\u7d20\u96c5\u7d30\u7dfb\u7684\u6de1\u8272\u670d\u98fe\uff0c\u6697\u793a\u8457\u5979\u8eab\u70ba\u9752\u6625\u5973\u6027\u7684\u8eab\u4efd\u3002\u4f46\u7121\u8ad6\u5982\u4f55\uff0c\u6b50\u83f2\u8389\u4e9e\u7684\u9577\u9aee\u7e3d\u662f\u7d0a\u4e82\u62ab\u5782\uff0c\u8207\u4e00\u822c\u6dd1\u5973\u7684\u6f54\u6574\u9aee\u578b\u76f8\u53bb\u751a\u9060\uff0c\u6709\u6642\u5728\u9aee\u969b\u3001\u5e3d\u7c37\u3001\u8863\u670d\u4e0a\u66f4\u5e36\u6709\u82b1\u8449\u6b98\u679d\u3002\u6b64\u5916\uff0c\u5361\u6885\u9686\u5e38\u5c07\u6a21\u7279\u5152\u533f\u540d\uff0c\u8b93\u5979\u5011\u5f9e\u771f\u5be6\u8eab\u4efd\u62bd\u96e2\uff0c\u6210\u70ba\u7d14\u7cb9\u7684\u6587\u5b78\u89d2\u8272\uff0c\u4f46\u53c8\u5e38\u5728\u7167\u7247\u5f8c\u9762\u5beb\u4e0b\u300c\u5beb\u751f\u300d\uff08from life\uff09\u3002\u4f3c\u4e4e\u523b\u610f\u900f\u904e\u651d\u5f71\u7279\u6709\u7684\u6307\u6d89\u6027\uff0c\u5c07\u7cbe\u795e\u4e0d\u7a69\u7684\u72c0\u614b\u8207\u666e\u904d\u7684\u5973\u6027\u5f62\u8c61\u76f8\u4e92\u9023\u7d50\u3002<\/p>\n

\"\u5716\u72471\"<\/a>
\u5de6\u3010\u5716 2\u3011Julia Margaret Cameron, Ophelia, 1867. Photography. \u53f3\u3010\u5716 3\u3011Julia Margaret Cameron, Ophelia, 1875. Photography.<\/figcaption><\/figure>\n

\u4e8b\u5be6\u4e0a\uff0c\u9019\u6a23\u7684\u5f62\u8c61\u9023\u7d50\u4e26\u975e\u53ea\u662f\u85dd\u8853\u5bb6\u7684\u523b\u610f\u9078\u984c\uff0c\u4ea6\u8207\u6b64\u6642\u793e\u6703\u80cc\u666f\u548c\u91ab\u5b78\u767c\u5c55\u606f\u606f\u76f8\u95dc\uff0c\u7dad\u591a\u5229\u4e9e\u6642\u671f\u7684\u7cbe\u795e\u60a3\u8005\u4e2d\uff0c\u5973\u6027\u7684\u6578\u91cf\u78ba\u5be6\u8d85\u904e\u7537\u6027\u8a31\u591a\u3002\u9664\u4e86\u5973\u6027\u591a\u6bd4\u7537\u6027\u9577\u58fd\u4e4b\u5916\uff0c\u6709\u4eba\u8a8d\u70ba\u9019\u662f\u56e0\u70ba\u8a31\u591a\u793e\u7d93\u5730\u4f4d\u4f4e\u843d\u7684\u5973\u6027\uff08\u7279\u5225\u662f\u55ae\u8eab\u8005\uff09\uff0c\u56e0\u751f\u6d3b\u8ca7\u56f0\u800c\u5f15\u767c\u7684\u5fc3\u7406\u75be\u75c5\u3002\u7576\u6642\u4eba\u5011\u4e5f\u76f8\u4fe1\uff0c\u7531\u65bc\u5973\u6027\u5728\u4e00\u751f\u7576\u4e2d\u6703\u906d\u9047\u8a31\u591a\u91cd\u5927\u7684\u8eab\u5fc3\u8b8a\u5316\uff0c\u8af8\u5982\u9752\u6625\u671f\u3001\u61f7\u5b55\u3001\u751f\u5b50\u548c\u505c\u7d93\u7b49\u904e\u7a0b\uff0c\u9019\u4e9b\u8f49\u8b8a\u90fd\u4f7f\u5979\u5011\u5fc3\u667a\u8b8a\u5f97\u8106\u5f31\uff0c\u5bb9\u6613\u906d\u53d7\u7cbe\u795e\u75be\u75c5\u7684\u56f0\u64fe\u3002\u9019\u4e9b\u80cc\u666f\uff0c\u8b93\u5973\u6027\u7cbe\u795e\u60a3\u8005\u6210\u70ba\u7368\u7279\u7684\u7814\u7a76\u984c\u6750\uff0c\u800c\u5982\u4f55\u5c07\u5973\u6027\u60a3\u8005\u7684\u7279\u5fb5\u300c\u8996\u89ba\u5316\u300d\uff0c\u4e5f\u6210\u70ba\u5f15\u4eba\u63a2\u7a76\u7684\u4e3b\u984c\u3002\u4f8b\u5982\uff0c\u77e5\u540d\u7684\u7cbe\u795e\u79d1\u91ab\u5e2b\u4f11\u4f0a\u00b7\u6c83\u723e\u5947\u00b7\u6234\u8499\u5fb7(Dr. Hugh Welch Diamond, 1809-86)\u672c\u8eab\u4ea6\u662f\u77e5\u540d\u7684\u651d\u5f71\u5bb6\uff0c\u4ed6\u5728\u4efb\u8077\u7642\u990a\u9662\u671f\u9593(Surrey\u00a0County Lunatic\u00a0Asylum, 1848-1858)\u4ee5\u76f8\u6a5f\u7d00\u9304\u8a31\u591a\u75c5\u60a3\u7684\u59ff\u614b\u8868\u60c5\u3002\u5c31\u91ab\u5b78\u89d2\u5ea6\u800c\u8a00\uff0c\u6234\u8499\u5fb7\u76f8\u4fe1\u900f\u904e\u88ab\u62cd\u651d\u7684\u904e\u7a0b\uff0c\u80fd\u5e6b\u52a9\u75c5\u60a3\u7de9\u548c\u75c5\u60c5\uff0c\u96d6\u7136\u9019\u9ede\u4e26\u7121\u660e\u78ba\u8b49\u64da\u3002\u4ed6\u4e5f\u63a8\u5d07\u651d\u5f71\u8853\u7684\u5ba2\u89c0\u6027\u8207\u7cbe\u78ba\u5ea6\uff0c\u8a8d\u70ba\u6bd4\u8d77\u96d9\u773c\uff0c\u651d\u5f71\u80fd\u8a18\u9304\u3001\u63ed\u9732\u66f4\u591a\u4e8b\u5be6\uff0c\u6355\u6349\u5916\u5728\u73fe\u8c61\u7684\u540c\u6642\u4e5f\u5448\u73fe\u75c5\u60a3\u5167\u5728\u72c2\u66b4\u7684\u5fc3\u7406\u72c0\u614b\u3002\u9019\u7a2e\u300c\u76f8\u7531\u5fc3\u751f\u300d\u7684\u91ab\u5b78\u4fe1\u4ef0\uff0c\u4f7f\u651d\u5f71\u6210\u70ba\u7d00\u9304\u5916\u5728\u751f\u7406\u7279\u5fb5\u8207\u5167\u5728\u4eba\u6027\u7684\u7406\u60f3\u5de5\u5177\u3002\u800c\u6234\u8499\u5fb7\u7684\u651d\u5f71\u6210\u679c\u4e5f\u5c0d\u9054\u723e\u6587(Charles Robert Darwin, 1809-1882)\u65e5\u5f8c\u63a2\u8a0e\u4eba\u985e\u60c5\u611f\u8868\u73fe\u8207\u6f14\u5316\u6a5f\u5236\u95dc\u4fc2\u7684\u300a\u4eba\u985e\u8207\u52d5\u7269\u7684\u60c5\u611f\u8868\u9054\u300b(The Expression of the Emotions in Man and Animals <\/em>, 1872)\u6709\u6975\u5927\u5f71\u97ff\u3002<\/p>\n

\u7279\u5225\u7684\u662f\uff0c\u6234\u8499\u5fb7\u7684\u651d\u5f71\u9664\u4e86\u4f5c\u70ba\u91ab\u5b78\u7d00\u9304\u4e4b\u7528\uff0c\u4e5f\u6210\u70ba\u6253\u9020\u6b50\u83f2\u8389\u4e9e\u5f62\u8c61\u7684\u5148\u9a45\u3002\u4ed6\u57281850\u5e74\u4ee3\u62cd\u651d\u7642\u990a\u9662\u4e2d\u5973\u6027\u75c5\u60a3\u6642\u3010\u57164\u3011\uff0c\u5c31\u5df2\u8b93\u5979\u5011\u62ab\u639b\u6c88\u91cd\u7684\u8863\u888d\uff08\u53ef\u80fd\u8c61\u5fb5\u8457\u5979\u5011\u7684\u5fc3\u7406\u8ca0\u8377\uff09\uff0c\u982d\u6234\u4ee5\u6842\u51a0\u3001\u6843\u91d1\u5b43\u7de8\u7e54\u7684\u74b0\u51a0\u4f86\u626e\u6f14\u9019\u4f4d\u7d93\u5178\u7684\u6587\u5b78\u5973\u6027\u89d2\u8272\uff0c\u6210\u529f\u5f62\u5851\u51fa\u6b50\u83f2\u8389\u4e9e\u7684\u6a19\u6e96\u88dd\u626e\u3002\u76f8\u8f03\u65bc\u7c73\u840a\u756b\u4e2d\u8c50\u5bcc\u591a\u91c7\u7684\u6236\u5916\u5834\u666f\uff0c\u6216\u662f\u5361\u6885\u9686\u5728\u5341\u591a\u5e74\u5f8c\u62cd\u4e0b\u7684\u611f\u50b7\u552f\u7f8e\u59ff\u614b\uff0c\u6234\u8499\u5fb7\u62cd\u651d\u7684\u662f\u771f\u6b63\u70ba\u7cbe\u795e\u75be\u75c5\u6240\u82e6\u7684\u75c5\u60a3\uff0c\u9019\u4e9b\u5973\u75c5\u60a3\u9a5a\u61fc\u6216\u8ff7\u832b\u5931\u795e\u7684\u9762\u5bb9\uff0c\u53ef\u8aaa\u662f\u9019\u985e\u5f62\u8c61\u4e2d\u6700\u771f\u5be6\u4e5f\u6700\u5207\u5408\u547d\u984c\u7684\u3002\u6234\u8499\u5fb7\u4e5f\u66fe\u516c\u958b\u5c55\u793a\u9019\u4e9b\u4f5c\u54c1\uff0c\u4f7f\u5973\u6027\u7684\u760b\u72c2\u5f62\u8c61\u4e0d\u518d\u6b62\u6b65\u65bc\u7642\u990a\u9662\u5167\uff0c\u800c\u662f\u6210\u70ba\u4e00\u500b\u53ef\u898b\u3001\u53ef\u6bd4\u8f03\u7684\u5177\u9ad4\u6a23\u8c8c\u3002<\/p>\n

\"\u3010\u57164\u3011Hugh<\/a>
\u3010\u5716 4\u3011Hugh Welch Diamond, Ophelia(Patient form the Surrey County Lunatic Asylum), 1850. Photography.<\/figcaption><\/figure>\n

\u7dad\u591a\u5229\u4e9e\u6642\u671f\u5c0d\u300c\u760b\u72c2\u300d\u7684\u63a2\u7a76\u8208\u8da3\uff0c\u4e5f\u66fe\u5728\u77e5\u540d\u6587\u5b78\u4f5c\u54c1\u300a\u611b\u9e97\u7d72\u5922\u904a\u4ed9\u5883\u300b(Alice’s Adventures in Wonderland)\u88e1\u51fa\u73fe\uff0c\u4e14\u540c\u6a23\u53ef\u80fd\u4f86\u81ea\u91ab\u7642\u9662\u6240\u8207\u651d\u5f71\u8853\u7684\u4ea4\u6703\u95dc\u4fc2\u3002\u4f5c\u8005\u8def\u6613\u65af\u00b7\u5361\u7f85(Lewis Carroll, 1832-1898)\u7684\u8205\u8205\u65af\u51f1\u82ac\u9813\u00b7\u8def\u7279\u7dad\u5947(Skeffington Lutwide)\u66fe\u64d4\u4efb\u7ba1\u7406\u82f1\u570b\u8207\u611b\u723e\u862d\u7cbe\u795e\u91ab\u7642\u9662\u6240\u7684\u59d4\u54e1(1853-1873)\uff0c\u900f\u904e\u9019\u5c64\u95dc\u4fc2\uff0c\u5361\u7f85\u8a8d\u8b58\u4e86\u8a31\u591a\u7cbe\u795e\u91ab\u5b78\u5bb6\uff0c\u5c0d\u76f8\u95dc\u77e5\u8b58\u4e26\u4e0d\u964c\u751f\uff0c\u5c07\u4e4b\u904b\u7528\u65bc\u5beb\u4f5c\u4e2d\u3002\u4f8b\u5982\u5728\u6545\u4e8b\u4e2d\u4e09\u6708\u5154\u548c\u760b\u72c2\u5e3d\u5320\u7684\u8336\u6703\u3010\u57165\u3011\uff0c\u4fbf\u53ef\u80fd\u6e90\u81ea\u7576\u6642\u7cbe\u795e\u7642\u990a\u9662\u6240\u4e2d\u666e\u904d\u65bd\u884c\u7684\u300c\u8336\u6703\u7642\u6cd5\u300d\uff1a\u5728\u4e0b\u5348\u8336\u6703\u4e2d\uff0c\u75c5\u60a3\u88ab\u8981\u6c42\u7a7f\u4e0a\u6700\u597d\u7684\u8863\u670d\uff0c\u4ee5\u79ae\u8c8c\u7684\u65b9\u5f0f\u76f8\u8655\u4ea4\u8ac7\uff0c\u8b93\u4ed6\u5011\u900f\u904e\u793e\u4ea4\u6a5f\u6703\u4f86\u91cd\u65b0\u57f9\u990a\u9053\u5fb7\u7406\u6027\uff0c\u85c9\u6b64\u56de\u6b78\u793e\u6703\u5e38\u8ecc\u3002\u300a\u611b\u9e97\u7d72\u5922\u904a\u4ed9\u5883\u300b\u7684\u63d2\u756b\u5bb6\u7d04\u7ff0\u00b7\u5766\u5c3c\u723e(John Tenniel, 1820-1914)\u4e5f\u904b\u7528\u4e86\u8a31\u591a\u7576\u6642\u7cbe\u795e\u60a3\u8005\u7684\u56fa\u5b9a\u5f62\u8c61\uff08\u4f8b\u5982\u4e09\u6708\u5154\u982d\u4e0a\u7684\u82b1\u8349\u51a0\uff09\uff0c\u800c\u812b\u4e0b\u5e3d\u5b50\u7684\u5e3d\u5320\u6182\u9b31\u67af\u69c1\u3001\u82e5\u6709\u6240\u601d\u7684\u5f62\u8c8c\u3010\u57166\u3011\uff0c\u66f4\u76f4\u63a5\u547c\u61c9\u4e86\u6234\u8499\u5fb7\u6240\u62cd\u651d\u7684\u60a3\u8005\u5f62\u8c61\u3010\u57167\u3011\u3002<\/p>\n

\"\u3010\u57165\u3011John<\/a>
\u3010\u5716 5\u3011John Tenniel, \u201cThe Mad Tea Party\u201d, illustration to Alice\u2019s Adventure in Wonderland,1865. Wood engraving.<\/figcaption><\/figure>\n
\"\u5716\u72472\"<\/a>
\u5de6\u3010\u5716 6\u3011John Tenniel, \u201cThe King\u2019s Messenger in Prison,\u201d illustration to Through the Looking-Glass, 1871. Wood engraving. \u53f3\u3010\u5716 7\u3011Hugh Welch Diamond, Suicidal Melancholy, 1850s, Photography.<\/figcaption><\/figure>\n

\u5c0d\u300a\u611b\u9e97\u7d72\u5922\u904a\u4ed9\u5883\u300b\u719f\u6089\u7684\u8b80\u8005\u53ef\u80fd\u6703\u8a18\u5f97\uff0c\u5728\u9019\u5834\u300c\u6700\u70ba\u760b\u72c2\u7684\u8336\u6703\u300d(the maddest tea party)\u4e2d\uff0c\u7406\u6027\u800c\u6e05\u9192\u7684\u611b\u9e97\u7d72\u5fcd\u4e0d\u4f4f\u5436\u558a\uff1a\u300c\u4f46\u6211\u4e0d\u60f3\u8ddf\u9019\u4e9b\u760b\u72c2\u7684\u4eba\u5728\u4e00\u8d77\uff01\u300d(But I don’t want to go among mad people!) \u3002\u5982\u679c\u5c07\u611b\u9e97\u7d72\u7684\u6297\u8b70\uff0c\u8207\u7576\u6642\u6b50\u83f2\u8389\u4e9e\u5f0f\u7684\u666e\u904d\u5f62\u8c61\u76f8\u5c0d\u61c9\uff0c\u6216\u8a31\u53ef\u8aaa\u8eab\u70ba\u5973\u5b69\u7684\u611b\u9e97\u7d72\u6240\u8868\u9054\u7684\uff0c\u4e0d\u50c5\u662f\u5c0d\u773c\u524d\u8352\u8b2c\u5834\u666f\u7684\u7121\u5948\u9673\u8ff0\uff0c\u66f4\u662f\u5c0d\u7dad\u591a\u5229\u4e9e\u5973\u6027\u760b\u72c2\u6a19\u8a18\u7684\u6297\u62d2\u3002\u5973\u6027\u3001\u975e\u7406\u6027\u6240\u6210\u5c31\u7684\u7368\u7279\u5f62\u8c61\uff0c\u5728\u6210\u70ba\u6b64\u6642\u7f8e\u5b78\u6bcd\u984c\u7684\u540c\u6642\uff0c\u4ea6\u96b1\u7136\u6210\u70ba\u5e7d\u7981\u5973\u6027\u7684\u56fa\u5b9a\u6a19\u8a8c\u3002<\/p>\n

\u53c3\u8003\u8cc7\u6599<\/strong><\/span><\/p>\n

    \n
  1. Elaine Showalter, The Female Malady: Women, Madness and English Culture, 1830-1980, <\/em>London: Virago, 1987.<\/span><\/li>\n
  2. Grace Seiberling, Amateur, Photography, and the Mid-Victorian Imagination, <\/em>Chicago: Chicago University Press, 1995.<\/span><\/li>\n
  3. Kimberly Rhodes, Ophelia and Victorian Visual Culture: Representing Body Politics in the Nineteenth Century<\/em>, Ashgate: Aldershot, 2008.<\/span><\/li>\n
  4. Franziska E. Kohlt, \u201c \u2018The Stuidest Tea-Party in All My Life\u2019: Lewis Carroll and Victorian Psychiartic Practice,\u201d Journal of Victorian Culturei<\/em>, Vol. 21, No. 2, (2016): 147-167.<\/span><\/li>\n<\/ol>\n

    \"0001-3.jpg\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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